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Is the "mirage" in the story the same to all the people who see it?

By "mirage" I will assume you are referring to the walls and floor of the children's nursery which, at "Four-Thirty" come alive with scenes from nature, including "yellow giraffes" and "summer-starched grass." The room probably has the ability to produce several different scenes yet it doesn't seem as though it has the technology capable of making the scenes different for each viewer. Bradbury writes that the images are produced by a film projector which is hidden somewhere in the walls of the room: "Hidden films clocked through well-oiled sprockets, and the walls lived." The nursery is somewhat similar to the nursery in another Bradbury short story "The Veldt" where the walls truly do come alive as the lions in the veldt actually end up killing and eating the parents. Bradbury never goes that far in establishing the reality or capabilities of the walls in "There Will Come Soft Rains." It is simply another example of the incredible modern functions of the automated house.

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