Skip to main content

How is catharsis used in Oedipus Rex?

Catharsis refers to a purging, or evacuation, of emotions which often evokes a change or restoration of the one experiencing catharsis. Aristotle, a Greek philosopher and one of the most influential thinkers in human history, stated in his own work Poetics: "Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation [catharsis] of these emotions." 


Aristotle is conveying here the power that a high quality Tragedy can have in evoking this catharsis in its audience. Oedipus Rex in particular, which Aristotle praised as an example of a perfect Tragedy, effects catharsis by promoting the feelings of pity and fear in the audience centering around the guilt that Oedipus feels after he becomes blind. When his sight, physically, was perfect, he was blind to the dreadful fate the gods had saddled him with. Once Oedipus had become enlightened towards his true plight, he takes drastic action and gouges out his eyes because he longer can bear the sight of what he had done: "Using Jocasta's brooches, Oedipus gouges out his eyes, screaming, "You, you'll see no more the pain I suffered, all the pain I caused! Too long you looked on the ones you never should have seen, blind to the ones you longed to see, to know! Blind from this hour on! Blind in the darkness-blind!"


The catharsis in this play builds itself up around this event as Oedipus can no longer see, physically, but then becomes overwhelmed by the memories of his actions and he now understands, but can do nothing about it: "Dark, dark! The horror of darkness, like a shroud, Wraps me and bears me on through mist and cloud. Ah me, ah me! What spasms athwart me shoot, What pangs of agonizing memory?" Although as the audience, it is understood that his predicament was self-inflicted. He didn't listen to the prophecies laid out for him, and he is the one who took brash action to blind himself. It was his own fault that he was blind and wracked with guilt. The balance between ownership and acceptance of responsibility for what happened with a human compassion and pity for the circumstances he now found himself, without any actionable course of self-correction, plays on the audience as it becomes difficult not to experience an empathetic response to his words of equal parts anguish, but also acknowledgment. 

Comments

Post a Comment

Popular posts from this blog

Is there a word/phrase for "unperformant"?

As a software engineer, I need to sometimes describe a piece of code as something that lacks performance or was not written with performance in mind. Example: This kind of coding style leads to unmaintainable and unperformant code. Based on my Google searches, this isn't a real word. What is the correct way to describe this? EDIT My usage of "performance" here is in regard to speed and efficiency. For example, the better the performance of code the faster the application runs. My question and example target the negative definition, which is in reference to preventing inefficient coding practices. Answer This kind of coding style leads to unmaintainable and unperformant code. In my opinion, reads more easily as: This coding style leads to unmaintainable and poorly performing code. The key to well-written documentation and reports lies in ease of understanding. Adding poorly understood words such as performant decreases that ease. In addressing the use of such a poorly ...
Post a Comment
Read more

A man has a garden measuring 84 meters by 56 meters. He divides it into the minimum number of square plots. What is the length of the square plots?

We wish to divide this man's garden into the minimum number of square plots possible. A square has all four sides with the same length.Our garden is a rectangle, so the answer is clearly not 1 square plot. If we choose the wrong length for our squares, we may end up with missing holes or we may not be able to fit our squares inside the garden. So we have 84 meters in one direction and 56 meters in the other direction. When we start dividing the garden in square plots, we are "filling" those lengths in their respective directions. At each direction, there must be an integer number of squares (otherwise, we get holes or we leave the garden), so that all the square plots fill up the garden nicely. Thus, our job here is to find the greatest common divisor of 84 and 56. For this, we prime factor both of them: `56 = 2*2*2*7` `84 = 2*2*3*7` We can see that the prime factors and multiplicities in common are `2*2*7 = 28` . This is the desired length of the square plots. If you wi...
Post a Comment
Read more

What warning does Chuchundra issue to Rikki?

Chuchundra, the sniveling, fearful muskrat who creeps around walls because he is too terrified to go into the center of a room, meets Rikki in the middle of the night. He insults Rikki by begging him not to kill him. He then insults him by suggesting that Nag might mistake Chuchundra for Rikki. He says, "Those who kill snakes get killed by snakes."  He issues this warning to Rikki not to help keep Rikki safe but as a way of explaining why Rikki's presence gives him, Chuchundra, more reason to fear.  Chuchundra starts to tell Rikki what Chua the rat told him--but breaks it off when he realizes he might be overheard by Nag. He says, "Nag is everywhere, Rikki-Tikki." Rikki threatens to bite Chuchundra to get him to talk. Even then, Chuchundra won't overtly reveal any information. But he does say, "Can't you hear, Rikki-Tikki?" This is enough of a clue for the clever mongoose. He listens carefully and can just make out the "faintest scratch-s...
Post a Comment
Read more