punctuation - Which singular names ending in “s” form possessives with only a bare apostrophe?

Many questions already ask about this topic (What is the correct possessive for nouns ending in "‑s"? , When did it become correct to add an “s” to a singular possessive already ending in “‑s”?, etc.) and their answers vary, but they always give exceptions to the apostrophe-s rule, for example:

6.24 The general rule for the possessive of nouns covers most proper nouns, including most names ending in sibilants."

Examples they give include Kansas’s, Ross’s land, and Jones’s reputation. Exceptions include Jesus’ and Moses’.

Which names does this apply to? Is the Aeneas’ form correct, or is it Aeneas’s instead?

Answer

The most useful rule — and the most general and the easiest to remember — is simply that you add ’s whenever you actually say an extra /əz/ at the end when forming the possessive, compared with how you say the non-possessive version. Let your own ear be your guide. That’s all there is to it. No fancy rules full of exceptions. Just your own ear (as a native speaker, mind you).

So words ending in unstressed /iːz/ are exempt, like for example this series’ end, that species’ demise, Mercedes’, Ramses’, Sophocles’, Socrates’, Achilles’, Diomedes’, Archimedes’, Eratosthenes’, Ulysses’. (But not trapeze’s, because that one is stressed! See how that works?)

But these days, not much else is. I say “in these days” because in previous ages, some people did not add another /əz/ if it already had one, and so wrote Jesus’ to indicate they did not say an extra /əz/ there compared with Jesus: both are just /ˈd͡ʒiːzəs/ However, most people today now say Jesus’s, because it has three syllables: /ˈd͡ʒiːzəsəz/.

Same with Moses’s with three syllables instead of the older Moses’ with just two. Note that things like Ross’ and Chaz’ are always wrong, because no one says those with only a single syllable. That is a common error.

So it’s your boss’s house, because it’s got an extra syllable when you say it. Similarly, all the Jameses I have ever personally known have had the extra /əz/ tacked on when you are talking about something of theirs, which means it is for those speakers James’s house, albeit all the Jameses’ houses, because nouns are only allowed one /əz/ inflection, not two.

In all cases, the best thing to do is let your own ear be your guide, because writing should represent speech. That means that if you say an extra /əz/ then you write ’s, but if you don’t say it, then you don’t write it. That’s why you from time to time see forms like for goodness’ sake or for conscience’ sake. Those are possessive, but have no extra syllable.

As for the specific case of Aeneas, in older writing you will find that because his name already ends in /əz/, people would suppress the extra one when they would form the possessive, like Aeneas’ escape from Troy. Note very carefully that that posits a three-syllable possessive when spoken. If when you yourself say it, however, it turns out that you would yourself use the four-syllable version as most people today now do, then it would have to be Aeneas’s escape from Troy.

But now you have three issississes in a row, which will certainly require careful elocution to pull off — especially if you don’t mean to sound like Gollum with his fisheses.

etymology - Origin of the greeting "Sweet dreams".

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Is there a word/phrase for "unperformant"?

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What are the similarities between the relationships of the characters in The Outsiders and Romeo and Juliet?

At first glance, it might appear as if the characters in The Outsiders by S. E. Hinton and Romeo and Juliet by William Shakespeare do not have much in common; however, when one isolates the core of the conflicts, it becomes clear that the relationships in both stories are rooted in rivalry and secrecy. In both The Outsiders and Romeo and Juliet , an overarching theme is rivalry. While socioeconomic status separates the greasers from the Socs in The Outsiders , last names separates the Montagues from the Capulets, who appear to be relatively equal in terms of socioeconomic status. Due to these rivalries, there are instances of deadly interactions in both stories. In The Outsiders , Johnny kills Bob (whether his actions were justified or not is debatable). In Romeo and Juliet , Romeo kills Tybalt and Paris, and Tybalt kills Mercutio. These deaths have profound effects on the main characters. In Ponyboy's case, the Johnny's death and other events in the novel inspire h...

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