Skip to main content

etymology - Spelling of Exemplary versus that of Example


According to Etymonline:


Example:



from Old French essemple "sample, model, example, precedent, cautionary tale," from Latin exemplum "a sample, specimen; from ex- "out" (see ex-) + emere "buy," originally "take," from PIE root *em- "to take, distribute."



Exemplary:



1580s, "fit to be an example," from Middle French exemplaire, from Late Latin exemplaris "that serves as an example, pattern, or motto," from exemplum "example, pattern, model"



Given that both terms derive from French “essemple, exemplaire” how come that example, unlike exemplary, is spelled with an “a” after the prefix ex, and not with an “e”?



Answer



Fairly early on in French, the nasal vowel represented by "en/em" merged into the nasal vowel represented by "an/am". The exact details of how the merger developed seem to be fairly complicated, but as far as I can tell, it was in progress by the time the word "example" entered English and had already affected the spelling of the word in relevant varieties of French, and so English adopted the word with "a" rather than with "e".


Evpok♦'s answer to a relevant question on French SE, "Why are “an” and “en” pronounced the same? Pourquoi « an » et « en » ont-ils la même prononciation ?", links to the blog post "la nasalization", by G. Pascault, which says that the change "ẽ̩m > ãm" occurred around the 11th-13th centuries (the blog post presents it as part of a general set of changes involving nasal vowels receiving a more open pronunciation, like õ̩n > õ̜n, ĩn > ẽn and ü̃n > œ̃n).


A relevant book I accessed through Google Books, The formation and evolution of the French nasal vowels, by Bernard L. Rochet (1976), says



in Old French – with the exception of Picard – eN and aN seem to have been in the process of merging; the extent of the merger varied according to the regions and probably also to the social classes of the speakers. This sociological conditioning of the evolution of eN does not receive any direct empirical support from Old French texts but is inferred from the situation described by the sixteenth century grammarians.



(p. 87)


I haven't found a source yet that connects this sound change to the variation in the spelling of the French word essample/essemple/example/exemple, but I assume that is what is behind it.


Rochet mentions some other words that showed variation between spellings with "en/em" and spellings with "an/am", including one that is related to another pair of words showing an am/em change that we see in present-day English: ambassador vs. embassy.



The numerous orthographic variants found at that period [the 16th century] indicate that whatever distinctions, based on the opposition eN : aN, were still observed, they were only the remnants of a rapidly disappearing situation. Thus, Robert Estienne (1549) acknowledges the following alternations: "cravanter ou craventer," "ambassade et embassade", "tencer, voyez tanser", "panser ung malade. Voyer penser," etc.



(p. 96)


Interestingly, for ambassade the spelling with a seems to be closer to the etymology, the opposite of the situation with example.


Comments

Popular posts from this blog

etymology - Origin of the greeting "Sweet dreams".

Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...

Is there a word/phrase for "unperformant"?

As a software engineer, I need to sometimes describe a piece of code as something that lacks performance or was not written with performance in mind. Example: This kind of coding style leads to unmaintainable and unperformant code. Based on my Google searches, this isn't a real word. What is the correct way to describe this? EDIT My usage of "performance" here is in regard to speed and efficiency. For example, the better the performance of code the faster the application runs. My question and example target the negative definition, which is in reference to preventing inefficient coding practices. Answer This kind of coding style leads to unmaintainable and unperformant code. In my opinion, reads more easily as: This coding style leads to unmaintainable and poorly performing code. The key to well-written documentation and reports lies in ease of understanding. Adding poorly understood words such as performant decreases that ease. In addressing the use of such a poorly ...

What are the similarities between the relationships of the characters in The Outsiders and Romeo and Juliet?

At first glance, it might appear as if the characters in  The Outsiders  by S. E. Hinton and  Romeo and Juliet  by William Shakespeare do not have much in common; however, when one isolates the core of the conflicts, it becomes clear that the relationships in both stories are rooted in rivalry and secrecy.  In both  The Outsiders  and  Romeo and Juliet , an overarching theme is rivalry. While   socioeconomic status separates the greasers from the Socs in The Outsiders , last names separates the Montagues from the Capulets, who appear to be relatively equal in terms of socioeconomic status. Due to these rivalries, there are instances of deadly interactions in both stories. In  The Outsiders , Johnny kills Bob (whether his actions were justified or not is debatable). In  Romeo and Juliet , Romeo kills Tybalt and Paris, and Tybalt kills Mercutio. These deaths have profound effects on the main characters. In Ponyboy's case, the Johnny's death and other events in the novel inspire h...