Skip to main content

Based on Chapters 5-9 of Ian Haney López's Dog Whistle Politics: How Coded Racial Appeals Have Reinvented Racism and Wrecked the Middle Class:...

Haney Lopez writes that during Bill Clinton's 1992 election campaign, "Clinton did not depend on an economic message alone; rather, he decided to engage in his own racial pandering" (page 108). Clinton ran his 1992 campaign as a "New Democrat" who was tough on crime and anti-welfare. Clinton also tried to show, the author writes, that he "was not beholden to African American interests" (page 108). He tried to protect himself against charges that he was soft on African-American criminals. Clinton's strategies were in part a reaction to the tactics of George H.W. Bush, who had used the story of Willie Horton (an African-American furloughed prisoner) to tag Michael Dukakis, who was Governor of Massachusetts when Horton was released on furlough, as weak on crime during the 1988 Presidential campaign. To combat this idea, Clinton returned home to Arkansas during the 1992 campaign for the execution of a mentally impaired African-American man named Ricky Ray Rector. 


Once Clinton was elected, Haney Lopez says that Clinton made dog whistle politics part of his administration. For example, Clinton put $30 billion towards the "war on crime" started by Reagan and made a "three strikes" law that put many more people behind bars. He also re-engineered welfare to reduce the number of people receiving benefits. Clinton put African-Americans down in front of white audiences but not in extreme terms, and he tried to connect with African-Americans by appealing to them in ways that would "fly under most whites' radar" (112)--for example, playing the saxophone on the Arsenio Hall show. The author writes that Clinton was not necessarily a racist but that Clinton had "a willingness to manipulate racial animus in the pursuit of power" (page 113).

Comments

Popular posts from this blog

etymology - Origin of the greeting "Sweet dreams".

Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...

Is there a word/phrase for "unperformant"?

As a software engineer, I need to sometimes describe a piece of code as something that lacks performance or was not written with performance in mind. Example: This kind of coding style leads to unmaintainable and unperformant code. Based on my Google searches, this isn't a real word. What is the correct way to describe this? EDIT My usage of "performance" here is in regard to speed and efficiency. For example, the better the performance of code the faster the application runs. My question and example target the negative definition, which is in reference to preventing inefficient coding practices. Answer This kind of coding style leads to unmaintainable and unperformant code. In my opinion, reads more easily as: This coding style leads to unmaintainable and poorly performing code. The key to well-written documentation and reports lies in ease of understanding. Adding poorly understood words such as performant decreases that ease. In addressing the use of such a poorly ...

What are the similarities between the relationships of the characters in The Outsiders and Romeo and Juliet?

At first glance, it might appear as if the characters in  The Outsiders  by S. E. Hinton and  Romeo and Juliet  by William Shakespeare do not have much in common; however, when one isolates the core of the conflicts, it becomes clear that the relationships in both stories are rooted in rivalry and secrecy.  In both  The Outsiders  and  Romeo and Juliet , an overarching theme is rivalry. While   socioeconomic status separates the greasers from the Socs in The Outsiders , last names separates the Montagues from the Capulets, who appear to be relatively equal in terms of socioeconomic status. Due to these rivalries, there are instances of deadly interactions in both stories. In  The Outsiders , Johnny kills Bob (whether his actions were justified or not is debatable). In  Romeo and Juliet , Romeo kills Tybalt and Paris, and Tybalt kills Mercutio. These deaths have profound effects on the main characters. In Ponyboy's case, the Johnny's death and other events in the novel inspire h...