Although it is written in a first person point of view, the speaker of the poem is not necessarily William Wordsworth. The speaker seems to be a traveller who is about to walk up a hill when they hear the reaper's song. The woman reaping in the fields is singing "a melancholy strain" in another language, but the speaker says it makes them feel welcome. The speaker stops to listen more closely to the reaper's song, as he cannot determine what she is singing about. The speaker wonders if it is about the past, issues in modern times, or a more timeless feeling, like sorrow, pain, or loss. Regardless of what the reaper's seemingly never-ending song is about, it makes the speaker feel connected to the reaper and they are moved by her song. The speaker is acknowledging how much music can unite people, even if they are from very different backgrounds and do not speak the same language. The speaker holds the music in his or her heart "long after it was heard no more."
Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...
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