Skip to main content

In "The Raven," how does Poe use suspense to convey the meaning of the story?

"The Raven" is about a man who is grieving over the death of his lost lover, Lenore, and how he plunges deeper and deeper into depression. Poe uses suspense to help readers empathize with the man's feelings even as they hope he will find some relief from his despair. Poe builds the suspense through repetition, dialogue, and descriptions of the man's thoughts. 


First, the repetition at the end of six of the first seven stanzas of the words "nothing more" gradually builds suspense, convincing readers there must be something more. The repeated words "Lenore" in stanza 2 and again in stanza 4, as a question, build the suspense that the something more might be an apparition of Lenore herself. When the final word of each stanza changes to "Nevermore" for the last eleven stanzas, suspense builds again. Readers wonder how long this can go on. Surely the refrain will change to something more positive in the next stanza!


The dialogue also contributes to the suspense of the story. When the man begins speaking to the raven, readers also are carried along by the mystery of this "ungainly fowl," wanting more information about its origin and purpose. Readers soon come to understand, as the narrator has suggested, that this one word "is its only stock and store," and they remain in suspense wondering when the man will catch on and stop expecting the bird to say something else. 


Finally, Poe gives readers glimpses into the psyche of the narrator to increase the poem's suspense. He begins in sorrow, and soon the rustling of his curtains "filled me with fantastic terrors never felt before." This reference to "terrors" so early in the poem builds suspense in readers. Why should the man be in such a fragile state of mind? After speaking with the raven, the man starts "linking fancy unto fancy" and "guessing," feeling the raven's eyes burning into his "bosom's core." Readers perceive he is losing his grip on reality and wonder where that will lead. Sure enough, the narrator then imagines he smells Lenore and hears her footsteps, and the suspense from the earlier expectation of an apparition builds. As the story nears its climax, the man asks the wrong question of the raven — one he should have known the raven had to answer in only one way. The man's rants against the bird, which has now become not a real bird but a "devil" and "thing of evil," are powerless to lift him from "out that shadow that lies floating on the floor." The narrator has completely succumbed to depression. 


The suspense Poe creates through repetition, dialogue, and descriptions of the man's mental state help readers understand the downward spiral into depression to which a grieving person's perseverating thoughts can lead.

Comments

Popular posts from this blog

Is there a word/phrase for "unperformant"?

As a software engineer, I need to sometimes describe a piece of code as something that lacks performance or was not written with performance in mind. Example: This kind of coding style leads to unmaintainable and unperformant code. Based on my Google searches, this isn't a real word. What is the correct way to describe this? EDIT My usage of "performance" here is in regard to speed and efficiency. For example, the better the performance of code the faster the application runs. My question and example target the negative definition, which is in reference to preventing inefficient coding practices. Answer This kind of coding style leads to unmaintainable and unperformant code. In my opinion, reads more easily as: This coding style leads to unmaintainable and poorly performing code. The key to well-written documentation and reports lies in ease of understanding. Adding poorly understood words such as performant decreases that ease. In addressing the use of such a poorly ...

A man has a garden measuring 84 meters by 56 meters. He divides it into the minimum number of square plots. What is the length of the square plots?

We wish to divide this man's garden into the minimum number of square plots possible. A square has all four sides with the same length.Our garden is a rectangle, so the answer is clearly not 1 square plot. If we choose the wrong length for our squares, we may end up with missing holes or we may not be able to fit our squares inside the garden. So we have 84 meters in one direction and 56 meters in the other direction. When we start dividing the garden in square plots, we are "filling" those lengths in their respective directions. At each direction, there must be an integer number of squares (otherwise, we get holes or we leave the garden), so that all the square plots fill up the garden nicely. Thus, our job here is to find the greatest common divisor of 84 and 56. For this, we prime factor both of them: `56 = 2*2*2*7` `84 = 2*2*3*7` We can see that the prime factors and multiplicities in common are `2*2*7 = 28` . This is the desired length of the square plots. If you wi...

What warning does Chuchundra issue to Rikki?

Chuchundra, the sniveling, fearful muskrat who creeps around walls because he is too terrified to go into the center of a room, meets Rikki in the middle of the night. He insults Rikki by begging him not to kill him. He then insults him by suggesting that Nag might mistake Chuchundra for Rikki. He says, "Those who kill snakes get killed by snakes."  He issues this warning to Rikki not to help keep Rikki safe but as a way of explaining why Rikki's presence gives him, Chuchundra, more reason to fear.  Chuchundra starts to tell Rikki what Chua the rat told him--but breaks it off when he realizes he might be overheard by Nag. He says, "Nag is everywhere, Rikki-Tikki." Rikki threatens to bite Chuchundra to get him to talk. Even then, Chuchundra won't overtly reveal any information. But he does say, "Can't you hear, Rikki-Tikki?" This is enough of a clue for the clever mongoose. He listens carefully and can just make out the "faintest scratch-s...