This 1845 novella by French writer Prosper Mérimée is probably better known in its adaptation as an opera by Georges Bizet.
The work explores a theme of encountering “the other,” leading to both attraction and violence. Carmen represents the Romani or Gypsy minority, and Don Jose represents the Basque minority of Spain. The story is told as if Merimee actually experienced the events on a trip to Spain in 1830 and reflects romantic notions of Spanish cultural identity. The novella even concludes with a scholarly discussion of the culture and customs of the Romani people. The story also explores themes of trust vs. betrayal. For example, in a climax of the tale, Don Jose claims Carmen as his wife but threatens to kill her if she is unfaithful.
A well-known motif of the story is that of Carmen as the femme fatale. Don Jose falls under her spell, neglecting his duties to support Carmen by helping her escape from prison then going on the run with her. Even the name Carmen comes from the Latin word for a song, poem, or magic spell, thus reinforcing her symbolic mystical power.
Carmen can also be seen as a symbol of Spanish identity. From a European perspective at the time, Spain was seen as more Oriental compared to its European neighbors due to its Moorish influences. Carmen’s passionate, independent, alluring character can be seen as representing this image of Spain as an exotic, independent nation.
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