The Johnson family quilts are a crucial symbol to understand heritage in this story. For Mama and Maggie, these quilts are meant to be used, just as heritage is something that continues to exist and is alive in the present. Dee, on the other hand, considers the quilts to be representative of a heritage that is in the past. She thinks the quilts should not be used as they were intended; instead, they should be preserved and displayed. Mama and Maggie do not put their heritage on display; rather, they live it by using these quilts (as well as other items that have been handmade by members of the family through the years) every day; this accounts for the story's title, "Everyday Use." Dee thinks it's "backward" of Maggie to use the quilts because they will fall apart, but Mama and Dee believe it only makes sense to use them and remember the people who made them (Dee doesn't even know the family stories). Although Maggie and Dee both appreciate the quilts, they see those quilts—and the concept of heritage—quite differently.
Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...
Comments
Post a Comment