Skip to main content

grammaticality - Do the -ing and to-infinitive "verbs" that follow catenative verbs always take the grammatical function of "noun"?


I'm wondering whether or not the verb form that follows a catenative verb has the grammatical function of a noun or of a verb, and whether or not it depends on the first catenative verb.


"I like to run" "I like running"


the -ing and the to infinitive can easily be switched in this sentence, and it seems to be implying "I like [the act of[running]]", so both the infinitive and the gerund are nouns.


"I like to run marathons"/"I like running marathons"


These seem like they might still be nouns but need "verb powers" to take the object, and then these sentences really turn into "I like [the act of [running marathons]]"/ "I like [to be in the state of [running marathons]]".


Is this true for both the -ing (and so it would be a gerund) and the to-infinitive? Are they, sort of, initially verbs so that they can take the object, and then the verb + object becomes a noun phrase?


If this is true, I'm also wondering if the same rules apply for a catenative verb such as "start".


"I started to run in the mornings" "I started running marathons in 2008"


"start" is a catenative verb that isn't a cognitive/emotion verb, and specifically suggests action. So what is the grammatical function of the to-infinitive and -ing verb forms? are they verbs? are they nouns? It just seems incorrect to say that their grammatical function is a noun, but everything I've seen on the internet is pretty vague. I've also seen that to-infinitives are never verbs, but only from one source and it just doesn't seem right to me.


So any ideas on the true grammatical function of the -ing and the to-infinitive after a catenative verb? And is it universal across catenative verbs, or does it depend on the verb category?




Comments

Popular posts from this blog

etymology - Origin of the greeting "Sweet dreams".

Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...

Is there a word/phrase for "unperformant"?

As a software engineer, I need to sometimes describe a piece of code as something that lacks performance or was not written with performance in mind. Example: This kind of coding style leads to unmaintainable and unperformant code. Based on my Google searches, this isn't a real word. What is the correct way to describe this? EDIT My usage of "performance" here is in regard to speed and efficiency. For example, the better the performance of code the faster the application runs. My question and example target the negative definition, which is in reference to preventing inefficient coding practices. Answer This kind of coding style leads to unmaintainable and unperformant code. In my opinion, reads more easily as: This coding style leads to unmaintainable and poorly performing code. The key to well-written documentation and reports lies in ease of understanding. Adding poorly understood words such as performant decreases that ease. In addressing the use of such a poorly ...

What are the similarities between the relationships of the characters in The Outsiders and Romeo and Juliet?

At first glance, it might appear as if the characters in  The Outsiders  by S. E. Hinton and  Romeo and Juliet  by William Shakespeare do not have much in common; however, when one isolates the core of the conflicts, it becomes clear that the relationships in both stories are rooted in rivalry and secrecy.  In both  The Outsiders  and  Romeo and Juliet , an overarching theme is rivalry. While   socioeconomic status separates the greasers from the Socs in The Outsiders , last names separates the Montagues from the Capulets, who appear to be relatively equal in terms of socioeconomic status. Due to these rivalries, there are instances of deadly interactions in both stories. In  The Outsiders , Johnny kills Bob (whether his actions were justified or not is debatable). In  Romeo and Juliet , Romeo kills Tybalt and Paris, and Tybalt kills Mercutio. These deaths have profound effects on the main characters. In Ponyboy's case, the Johnny's death and other events in the novel inspire h...