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Analyze the changes in concept of hero and saint in the emergence of Romanticism.

During Romanticism, a literary movement in Europe from about 1800-1850, the idea of the hero or saint changed to emphasize the qualities of introspection and insight over bravery and action. The Romantic hero, who appeared in works by Goethe, Byron, and others, is largely alienated and isolated from society, and the hero is often engaged in a melancholic reflection on his or her flaws or failings. As a result, the Romantic hero often leads a solitary existence and feels more comfortable in nature than in society. The Romantic hero is quite different than the earlier epic hero, including figures such as Odysseus or Beowulf, as the Romantic hero does not find a place within society but is alienated and apart from it. Goethe's Werther in The Sorrows of Young Werther is the quintessential Romantic hero, as he is forever sad about not winning the love of Charlotte, who is engaged to marry another man. Realizing that he will be forever bereft, he decides to kill himself with Charlotte's loving assistance. 

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