Skip to main content

How did Niccolo Machiavelli connect the anarchy in international politics with his book The Prince?

Machiavelli approached his political treatise The Prince as a primer for rulers of various types of political entities extant in Italy during his time, the early 16th-century. He uses the term "states" to describe these political entities, which ranged from hereditary kingdoms to Republics and city-states found among the political amalgam of Italy at that time (which wouldn't become a unified nation until the late 19th century).


Machiavelli's overarching theme in The Prince is the notion that rulers, even those elected by democratic means (though those means were often restricted to election by a limited number of citizens at that time, mainly the powerful), could not rule in the abstract, i.e., they could not effectively rule via idealistic notions that involved broad participation in decisions by those who were ruled. Machiavelli inveighed against the notion that rulers should be transparent and entirely honest to those who were ruled, and in fact often must adopt subterfuge and blunt political stratagems that might go against the popular will, for the benefit of not only the state he ruled, but for the subjects of citizens of that state. A famous quote from the work is the following:



"He who neglects what is done for what ought to be done, sooner effects his ruin than his preservation."



Machiavelli observed a world that, as in many parts of Europe such as Germany, possessed myriad political, religious, class and racial tensions, tensions that often threatened to boil over and result in great upheaval. His contention in The Prince was that political rule required a strong hand to control these tensions and keep competing factions in check, and that the means of controlling political turmoil was justified by the ends, i.e., a modicum of political tranquility.

Comments

Popular posts from this blog

etymology - Origin of the greeting "Sweet dreams".

Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...

Is there a word/phrase for "unperformant"?

As a software engineer, I need to sometimes describe a piece of code as something that lacks performance or was not written with performance in mind. Example: This kind of coding style leads to unmaintainable and unperformant code. Based on my Google searches, this isn't a real word. What is the correct way to describe this? EDIT My usage of "performance" here is in regard to speed and efficiency. For example, the better the performance of code the faster the application runs. My question and example target the negative definition, which is in reference to preventing inefficient coding practices. Answer This kind of coding style leads to unmaintainable and unperformant code. In my opinion, reads more easily as: This coding style leads to unmaintainable and poorly performing code. The key to well-written documentation and reports lies in ease of understanding. Adding poorly understood words such as performant decreases that ease. In addressing the use of such a poorly ...

What are the similarities between the relationships of the characters in The Outsiders and Romeo and Juliet?

At first glance, it might appear as if the characters in  The Outsiders  by S. E. Hinton and  Romeo and Juliet  by William Shakespeare do not have much in common; however, when one isolates the core of the conflicts, it becomes clear that the relationships in both stories are rooted in rivalry and secrecy.  In both  The Outsiders  and  Romeo and Juliet , an overarching theme is rivalry. While   socioeconomic status separates the greasers from the Socs in The Outsiders , last names separates the Montagues from the Capulets, who appear to be relatively equal in terms of socioeconomic status. Due to these rivalries, there are instances of deadly interactions in both stories. In  The Outsiders , Johnny kills Bob (whether his actions were justified or not is debatable). In  Romeo and Juliet , Romeo kills Tybalt and Paris, and Tybalt kills Mercutio. These deaths have profound effects on the main characters. In Ponyboy's case, the Johnny's death and other events in the novel inspire h...