The answer to this question depends upon the reader's subjective opinion. However, there are quite a few reasons to find Portia appealing, and so it is certainly possible to see her as one of the most appealing characters of the play. She uses her wealth for good, for instance, by offering to repay Antonio's loan. When that doesn't work, Portia shows true ingenuity by disguising herself as a lawyer and outsmarting Shylock in court. Indeed, it would appear that, when compared to most of the men in the play, Portia proves herself to be truly superior, as she wields intelligence and a vast store of resources with confident authority. As such, one can't help but assume that it will be Portia, and not her husband Bassanio, who will be in charge. In recognizing these admirably feminist qualities, one can't help but regard Portia as one of the most appealing characters in the play.
Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...
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