meaning - what does the phrase "a real word" mean?

Twentyfive questions appear in the list of questions already asked on this forum that are similar to this question. Of those, 8 titles do not mention the "real word" phrase. The other 17 ask about a specific word, typically using a standard form: "Is X a real word". Additionally, I'm sure, many questions asked on this forum omit real and simply ask something to the effect of "Is X a word".

How can a question ask if a word is real without using the word as a word?

Detailed answers will be entertained. Explanations and examples of consensual approaches to designating some words as real, and others not, are of most value to me. How and when do, for example, scientific terms, become real terms? Nextmost in value are scales or systems of realness. For example, where do nonsense words, nonce-words, spurious words and neologisms fall on a scale of realness? within some system of realness? The central idea of both values (consensual approaches, and scales or systems) is to take the question beyond the realm of personal opinion as much as possible.

Any answers will be greatly appreciated.

Edit: It has been suggested that this question duplicates a question asking when a word becomes a word. This question differs markedly:

Temporal considerations ("when") are secondary, if relevant at all.

This question does not use a self-referential definition of 'word', unlike the suggested duplicate, which verges on incoherence by asking when a word becomes a word. But we all know what that question is meant to ask...or do we?

While I'm sincere in saying any answers to my question are appreciated, certainly no answer solely or primarily referencing appearance in a dictionary will be accepted (in the constrained sense of 'accepted' used on this forum). No self-respecting dictionary will define 'word' in a primary sense as dependent on dictionary inclusion. For example, the primary definition of 'word, n.' in the OED is "I. Speech, utterance, verbal expression." This definition has no direct connection to appearance in one or more dictionaries.

Those specific considerations (and others along the same lines) aside, serious answers to my question would account for my mention of nonsense and nonce-words, et al. For example, the list of spurious words in the OED (compact edition): does the OED define 'spurious words' as 'unreal words'?

It seems to me that on a forum such as this, a working definition of "real word" would be sine qua non, and that self-defeating definitions such as reference to appearance in dictionaries which themselves define 'word' as something quite other than 'an entry in a dictionary or lexicon' would be rejected outright. Threshold elements in the working definition, on the other hand, might well be unavoidable: for example, "one or more occurrences of an utterance embued with communicative power" or some such gibberish might be construed as constituting part of a desirable answer to the question of what the phrase "real word" means.

Similarly, the assertion that what constitutes a "real word" is arbitrary is a non-answer. We all understand something when we encounter the phrase, and there is more commonality than not in our somewhat various understandings.

etymology - Origin of the greeting "Sweet dreams".

Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...

Is there a word/phrase for "unperformant"?

As a software engineer, I need to sometimes describe a piece of code as something that lacks performance or was not written with performance in mind. Example: This kind of coding style leads to unmaintainable and unperformant code. Based on my Google searches, this isn't a real word. What is the correct way to describe this? EDIT My usage of "performance" here is in regard to speed and efficiency. For example, the better the performance of code the faster the application runs. My question and example target the negative definition, which is in reference to preventing inefficient coding practices. Answer This kind of coding style leads to unmaintainable and unperformant code. In my opinion, reads more easily as: This coding style leads to unmaintainable and poorly performing code. The key to well-written documentation and reports lies in ease of understanding. Adding poorly understood words such as performant decreases that ease. In addressing the use of such a poorly ...

What are the similarities between the relationships of the characters in The Outsiders and Romeo and Juliet?

At first glance, it might appear as if the characters in The Outsiders by S. E. Hinton and Romeo and Juliet by William Shakespeare do not have much in common; however, when one isolates the core of the conflicts, it becomes clear that the relationships in both stories are rooted in rivalry and secrecy. In both The Outsiders and Romeo and Juliet , an overarching theme is rivalry. While socioeconomic status separates the greasers from the Socs in The Outsiders , last names separates the Montagues from the Capulets, who appear to be relatively equal in terms of socioeconomic status. Due to these rivalries, there are instances of deadly interactions in both stories. In The Outsiders , Johnny kills Bob (whether his actions were justified or not is debatable). In Romeo and Juliet , Romeo kills Tybalt and Paris, and Tybalt kills Mercutio. These deaths have profound effects on the main characters. In Ponyboy's case, the Johnny's death and other events in the novel inspire h...

Notes

Search This Blog