Two separate tones are evident in Nadine Gordimer's short story: one for the frame story and one for the bedtime story. In the frame story, readers can discern a tone of nervous resignation that comes from assuming corporate guilt despite one's personal innocence. Presumably, the narrator does not subscribe to the racial prejudice and exploitation of people of color that characterizes her society. Although she is white and privileged, she doesn't relish her status, knowing it has been built on the foundation of apartheid, a system that is at that moment undermining the stability of her culture just as the goldmine is causing her home to shift and buckle. She fears civic unrest, but she hasn't barred her windows or purchased a handgun to protect herself. Some "voice in the echo-chamber of the subconscious" tells her that if she becomes a victim of the exploited classes, it will not be completely without cause. The tone of the bedtime story, on the other hand, ...