On August 5th, Walton describes picking up this stranger on the ice, and by the end of the very same letter, he says that he "begin[s] to love [the man] as a brother [...]." Moreover, his next letter is dated just eight days later, on the 13th, and Walton says that he is "like a celestial spirit, that has a halo around him [...]." This stranger begins to sound almost like a god, or at least some sort of divine entity that is elevated above the merely human. The praise, at this point, does not seem entirely justified. So far, Walton has only said that the stranger's "whole countenance is lighted up [...] with a beam of benevolence and sweetness" whenever anyone performs even the smallest kindness or service for him, but it doesn't take a lot to be grateful when people are kind. Walton says a great deal more about the fact that the stranger often seems "overcome by gloom" and that his "dejection never leaves him." Thus far, then, the stranger seems to be a pretty depressed guy who is yet capable of gratitude when someone is kind to him, but he hardly seems like a divine being.
Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...
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