Skip to main content

In Shakespeare's Julius Caesar, who is the more effective speaker, Brutus or Antony?

Antony was clearly the more effective speaker. It was his speech that drove the gathered crowd into a frenzy. At the end of his oration, the crowd had become enraged at what, he made them believe, had been a great injustice against their murdered leader. They immediately sought retribution and were intent on ripping the conspirators apart, as the following extract clearly indicates: 



Second Citizen
We will be revenged.


All
Revenge! About! Seek! Burn! Fire! Kill! Slay!
Let not a traitor live!



Brutus adopted a rational approach in which he explained the purpose behind Caesar's assassination. He convinced the crowd that Caesar's death was necessary for the survival of Rome and the good of all its citizens. The crowd was satisfied with his clinical, matter-of-fact and commonsense explanation and believed what he said. Antony, conversely, appealed to the crowds' emotions. He was passionate and drew them in by making them believe that they had suffered a deep and personal loss when their leader was so savagely slaughtered. It was this passion that fired them up. Brutus' speech, although intelligent, had been a dispassionate oration.


Antony also applied the gamut of persuasive speaking techniques to overwhelm the already jittery collective in the market place. He began by kindly asking his fellow citizens to give him a hearing by using repetition - the rule of three: 'Friends, Romans, countrymen...' He employed innuendo and subtle sarcasm, which suggested that the conspirators and their deed were not as noble as Brutus had originally suggested: 'and so were they all, all honourable men.'


The repetitive use of the term 'honourable' in tandem with, and in juxtaposition to, a previous statement eventually gave the word a hollow ring.


Antony used rhetorical questions:



I thrice presented him a kingly crown,
Which he did thrice refuse: was this ambition?


You all did love him once, not without cause:
What cause withholds you then, to mourn for him?



He used facts to prove that Caesar cared about all Romans:



He hath brought many captives home to Rome
Whose ransoms did the general coffers fill:
Did this in Caesar seem ambitious?



He conveyed an opinion which suggested that Caesar had compassion:



When that the poor have cried, Caesar hath wept:
Ambition should be made of sterner stuff:



He consistently used emotive language:



O judgment! thou art fled to brutish beasts,


Bear with me;
My heart is in the coffin there with Caesar,
And I must pause till it come back to me.



Antony repeatedly appealed to the crowds' emotions:



O masters, if I were disposed to stir
Your hearts and minds to mutiny and rage,
I should do Brutus wrong, and Cassius wrong...



He creates tension and stirs up the crowds' expectation when he mentions Caesar's will whilst at the same time convincing them of Caesar's generosity and good nature:



...here's a parchment with the seal of Caesar;
I found it in his closet, 'tis his will:
Let but the commons hear this testament--
Which, pardon me, I do not mean to read--
And they would go and kiss dead Caesar's wounds
And dip their napkins in his sacred blood,...



In the end, Antony works up the crowd to such an extent that the citizens are desperate to take revenge. Brutus' charming speech has been forgotten completely and the crowd has turned into an unruly mob that is single-mindedly driven by a lust for the conspirators' blood.

Comments

Popular posts from this blog

etymology - Origin of the greeting "Sweet dreams".

Does anybody know the etymology of the phrase "sweet dreams"? I tried googling but did not find anything satisfying. Is this a relatively new phrase of the modern world or has this been in use for some time? I think it's the latter one. Answer The OED has the interjection as "a farewell to someone going to bed" from the 20th century: 1908 Sears Roebuck Catal. 198/1 Tenor Solos..Good Bye, Sweet Dreams, Good Bye. But it goes back until at least the 19th and possibly 18th centuries. John Wolcot, writing under the pseudonym of Peter Pindar, used it in his poem "Orson and Ellen; A Legendary Tale" published in 1801: Also from 1801 in The infernal Quixote (Page 287) by Charles Lucas: In the March 1776 of The Universal Magazine was published "The Serenade. A Pastoral Tale. From the German of Gesner" , where the shepherd Daphnis watches over his beloved as she sleeps and sings: The same tale appears in 1776's as Idyl XI, " Daphnis ...

Is there a word/phrase for "unperformant"?

As a software engineer, I need to sometimes describe a piece of code as something that lacks performance or was not written with performance in mind. Example: This kind of coding style leads to unmaintainable and unperformant code. Based on my Google searches, this isn't a real word. What is the correct way to describe this? EDIT My usage of "performance" here is in regard to speed and efficiency. For example, the better the performance of code the faster the application runs. My question and example target the negative definition, which is in reference to preventing inefficient coding practices. Answer This kind of coding style leads to unmaintainable and unperformant code. In my opinion, reads more easily as: This coding style leads to unmaintainable and poorly performing code. The key to well-written documentation and reports lies in ease of understanding. Adding poorly understood words such as performant decreases that ease. In addressing the use of such a poorly ...

What are the similarities between the relationships of the characters in The Outsiders and Romeo and Juliet?

At first glance, it might appear as if the characters in  The Outsiders  by S. E. Hinton and  Romeo and Juliet  by William Shakespeare do not have much in common; however, when one isolates the core of the conflicts, it becomes clear that the relationships in both stories are rooted in rivalry and secrecy.  In both  The Outsiders  and  Romeo and Juliet , an overarching theme is rivalry. While   socioeconomic status separates the greasers from the Socs in The Outsiders , last names separates the Montagues from the Capulets, who appear to be relatively equal in terms of socioeconomic status. Due to these rivalries, there are instances of deadly interactions in both stories. In  The Outsiders , Johnny kills Bob (whether his actions were justified or not is debatable). In  Romeo and Juliet , Romeo kills Tybalt and Paris, and Tybalt kills Mercutio. These deaths have profound effects on the main characters. In Ponyboy's case, the Johnny's death and other events in the novel inspire h...