One of the primary themes of The Phantom of the Opera is the difference between appearance and reality, as well as what can happen when people fail to understand that difference. This is most seen in the character of Erik, the Phantom, but it applies on multiple levels even within his character. When Erik does not show his full face, he goes around masked and uses illusions to make himself seem like a "phantom." In this guise, he appears alternately terrifying—to the people at the opera house—and alluring—to his student, Christine. He seems elegant and sophisticated to others, which contrasts his dank, grim lifestyle and the harsh words with which he expresses his true feelings about humanity. Erik also uses Christine as a vehicle for illusion when he becomes her "Spirit of Music" and secretly helps her.
On the other hand, Erik is the way he is because he was rejected for his looks. He might have been a kind and loving person, but he was treated as a monster because of his appearance, and he has ultimately succumbed and become a monster himself. In this, the danger of "judging a book by its cover" is shown. Erik is, indeed, brilliant and sophisticated; what might he have been had he been treated better as a child and not shunned?
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